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        introduction

Some history.

With enamels first thing one thinks of is jewellery and objects  embellished with enamel.
The first enamellers likely were jewellers, looking for an alternative for precious stones.
The oldest well-known enamelled objects were found in Mycene in the 14th century B.C. and on Cyprus in the 12th century B.C.
In Farao tombs in Egypt also a form of emaille has been found, namely pieces of coloured glass not being fused on the metal, but  which were, like precious stones, set in an edge.
During the first and second century A.D. it were the Romans who made bronze objects embellished with emaille.
Museum The Valkhof in Nijmegen, in Holland, possesses such a collection which has been unearthed in this old city.
 From the 11th century on the Roman Catholic Church became the principal commissioner and a "enamelling industry" developed. Metallic ecclesiastical communion plates were embellished with precious stones and emaille. This way enamelling remained a popular artistic form till the end of the 19th century.
 From then on there is a new upswing.
Where emaille was increasingly used for the making of pots and pans and billboards a.o. there also developed trends in the  the Art world which find a perfect expression in emaille, think of Jugendstil 
and Art Nouveau.
In architecture emaille also finds an application. Steel is embellished and preserved with the use of this material.

What exactly is the material "emaille" and where and how do you apply it?
Emaille is a glass like material, composed of minerals; this in contrast to paints and varnishes which are organic.
The raw materials are feldspar, quartz, borax, soda and oxides for colour.
At C 1300 degrees these minerals will melt to a molten mass of glass and are then ground to powder, resulting in emaille.
It is a durable material, the colours of which will not be influenced either by light or air.